If you wander by 5th Avenue and 90st you can’t help but see Cooper-Hewitt’s beautiful lawn. Although we do visit the inside of the museum – the stunning Carnegie Mansion – last week we visited the outside of the museum. In particular we took the time to take a spin in the fabulously designed Spun Chair by Thomas Heatherwick and his team, Heatherwick Studio.
No charge to walk into the garden – entrance on 90th Street – and enjoy a spin or relax the shade.
To recover from our dizziness and always game to fully use any patch of grass, we enjoyed a game of running bases – there is always a ball in someone’s pocket! Thankfully the guard was amenable 4 loud people enjoying the lawn!
At Artexpo New York you’ll find more than 400+ innovative exhibiting artists, galleries and publishers from across the globe, showcasing exciting original artwork, prints, paintings, drawings, sculpture, photography, ceramics, giclee, lithographs, glass works and more—all under one roof. So, if you need to fill that big empty spot over the sofa, this is the pace for you!
The event is held at Pier 94, 135,000 square feet of uninterrupted space. Perfect viewing!
Saturday, April 16th: til 7PM Sunday, April 17th: 10AM – 6PM
Pier 94 711 12th Ave (55th Street & the West Side Highway)
New York, NY 10019-5399
Worth a visit to the Metropolitan Museum, the exhibition – www.metmuseum.org/deathbecomesher – explores the aesthetic development and cultural implications of mourning fashions of the 19th and early 20th centuries. Approximately 30 ensembles, many of which are being exhibited for the first time, reveal the impact of high-fashion standards on the dictates of bereavement rituals as they evolved over a century.
The exhibition is organized chronologically and features mourning dress from 1815 to 1915, primarily from The Costume Institute’s collection. The calendar of bereavement’s evolution and cultural implications are illuminated through women’s clothing and accessories – some fabulous shawls and jewelry – showing the progression of appropriate fabrics from mourning crape/crepe to corded silks, and the later introduction of color with shades of gray and mauve.
On view now at the MET through to February 1, 2015.