A few weeks back on a rainy spring day, getting stir crazy from being indoors too long, the kids and I hopped in a cab and headed across town to to see the Isaac Mizrahi: An Unruly History exhibit. I knew the visit might not be a hit with all the children but my strategy, with kids, is to always keep the museum visits focused and short and then everyone usually enjoys the experience.
The core of the exhibition features iconic designs from the Isaac Mizrahi New York clothing label (1987 – 1998), the “semi-couture” collections (2003 – 2011), and the line for Target (2002 – 2008) – the first designer partnership done with that store. The show is comprised of 42 “looks” that include clothing, hats, jewelry, shoes, accessories, and costumes for the theater, the opera, and the Mark Morris Dance Group. Read more →
Worth a visit to the Metropolitan Museum, the exhibition – www.metmuseum.org/deathbecomesher – explores the aesthetic development and cultural implications of mourning fashions of the 19th and early 20th centuries. Approximately 30 ensembles, many of which are being exhibited for the first time, reveal the impact of high-fashion standards on the dictates of bereavement rituals as they evolved over a century.
The exhibition is organized chronologically and features mourning dress from 1815 to 1915, primarily from The Costume Institute’s collection. The calendar of bereavement’s evolution and cultural implications are illuminated through women’s clothing and accessories – some fabulous shawls and jewelry – showing the progression of appropriate fabrics from mourning crape/crepe to corded silks, and the later introduction of color with shades of gray and mauve.
On view now at the MET through to February 1, 2015.